Every two weeks I have an article published on Improve Photography - and today is that day.
Todays article is titled "How I got the shot - A Greek Sunrise". The article is about this image.
I will post a link to the article in the morning.
Every two weeks I have an article published on Improve Photography - and today is that day.
Todays article is titled "How I got the shot - A Greek Sunrise". The article is about this image.
I will post a link to the article in the morning.
The next job is to merge all the bracketed sets of images in Lightroom.
Remember these three photos that I posted on Friday?
This is the new file, which is the HDR merged image.
How I do this? Well its quite straightforward.
Firstly, I take three photos using the auto-bracketing function in my Canon 6D.
As this is all about processing images in Lightroom I will this here for now - the point is that I want to capture more of the lights and darks than are in the original image capture.
According to Scott Kelby, and he should know, the way Lightroom has been desigend you only need to merge the under and over exposed images. There is no point in using the correctly exposed image. Try it and see.
The new images are exactly the same.
So I select these two images, and use the Lightroom keyboard shortcut Control H (H for HDR - nice one Adobe).
And this dialogue box appears.
There are a couple of options here.
Auto Align - I leave this checked. It does exactly what it says it does. Even though I take most of my photos on a tripod I still leave it checked.
Auto Settings - If you check this box Lightroom will give you a preview of the processing it thinks the image needs.
You can see the difference with Auto Settings checked.
With the first image I try both ways, and go with what works for. More about doing this to more than one image in a minute.
Deghost Amount - I leave on high. Any areas where there is movement from one image to another will have a red mask over it. This is things like trees that have moved in the wind - we all want them sharp after all.
I always leave the Show Deghost Overlay selected - as there is no red on this image there is no deghosting, so I should turn this to None.
But I don't - this doesnt do any harm to an image (as far as I am aware), it just takes longer as Lightroom has more work to do.
The last check box is Create Stack - this is a new feature in Lightroom that I have not used - I stack the bracketed sets of images when sorting them out after import, and add each new image to the stack. As I am only using two of the three bracketed images if I select this option it puts the new merged photo in a new stack, leaving the original image on its own, so I do this manually - it doesn't take long.
I said before that you only need to use two of the three images - if I use all three images I get exactly the same results, and if I use Create Stack this will put all four images in a stack. And this is one less thing to do.
And yes I have just tried this and it worked nicely. And Lightroom even collapsed the stack after - that is two things less for me to do.
The message "Photo Merge added to tasks" appears, and Lightroom creates the new image in the background. I wait for this message so I know that this is happening.
Once I am happy with the first image, this is what I do to the rest of the images.
This is the good stuff. There is a not so well known keybaord shortcut
Shift, Control H
I select the next two images, use this keyboard shortcut and guess what - Lightroom starts the HDR Merge process in the background using the last settings. There is no dialogue box. It just gets on with it.
And once you have done that - as I said above - I wait for the message "Photo Merge added to tasks" - select the next two images, hit the shortcut again and Lightroom starts working on the next HDR Merge.
And then I just keep on going.
I can do more than 30 merges at a time.
I tend to select as many bracketed sets as I can and then go for a cuppa or a beer and leave Lightroom to it.
When I get back I add the new image to the original stack - this is quite quick - select the four images, click on the newly created new file, which has the extension -HDR.dng, then use the shortcut Control G and the four images are in the stack with the new image at the top! I do this for all the images, it doesn not take long, and that is HDR Merge done!
That is what I wrote before I realised that if I use the three images, and the new Create Stack feature, I don't need to do these two last things - Lightroom does them for me!
I hope that this helps, and that you now know how to use HDR Merge in Lightroom - please ask any questions in the comments box or email - check out my home page for details.
Quite simple. I have a new website, photos of Santorini.
This changed the purpose of my image selection.
The original image selection was made with the intention of putting the images on stock sites for sale - I have decided against this and am going to try to sell them myself.
There is a point to this post - the images you select from a trip will vary depending on what you are planning on doing with them.
Tomorrow it is time to get to work on these images in Lightroom.
And where am I now? To be honest I am back to where I was. I need another week to analyse the data I think, so please pop back to my blog in 7 days if you are interested in knowing the effect of going from a website with a .co.uk to a .com URL.
This will give me another week of the changes impacting which will hopefully tell me more. And also to record what I had to do to make this change, which will hopefully help you if you are thinking of changing your top level domain.
There is lots to know. Here are the headlines
These plummeted, but came back strongly and my search volumes have gone up.
These went off the scale, but are gradually restoring themselves.
Things have changed here - I need more time to analyse and extract the data.
I now get more global visitors to my webiste.
The number of business enquiries has gone up. If this does not happen none of the rest matters.
Check back to my photography blog in a week for a full update.
2442 images taken. 762 separate image captures - these are bracketed sets of three images (with the odd exception). The 491 picks equate to 108 individual images.
The initial selection was done 12 months ago, and needs reviewing as what I am going to do with the images has changed. It might be fairer to say that now I know what I am going to do with the images!
As you can see from the screenshot above, I organise my images into Picks and Rest. The Picks not edited folder is just that - images that I changed my mind about, which is fine.
Now I have potentially new images to select how do I keep track of them?
I start by creating a new sub-folder in Lightroom. Here it is.
And by calling it "New picks July 2018" I know exactly what the folder is for. Once I have completed the editing process I will get rid of this folder - it is just a working folder for now.
Lightroom Tip Number 1 - use Lightroom just as you would other folders in Windows - it works in exactly the same way and performs exactly the same functions. (For Mac users that would be Finder I believe).
Don't worry about the extra images - I will explain later.
In the Library Module in Lightroom, using the Loupe view (Lightroom keyboard shortcut E), I went to the Rest folder, and went though the images one by one. If I liked an image I hit P (the Lightroom keyboard shortcut for Pick) on my keyboard, and the image is assigned a little white flag.
Not surrender - a flag that shows that image that someone (me) likes them!
To do this I went to the Picks folder, used the Lightroom keyboard shortcut Ctrl A to select all the images, then hit P again.
Next I go to the Santorini 2017 parent folder, which has all the images from all of the folders. I want to view the images from these two folders only, and remove any duplicates or images that are too similar to the ones already selected.
In the Library Module, I now have the images in Grid view (Lightroom keyboard shortcut G). The keyboard shortcut for the filter bar is \. Next click on the white flag (remember - the symbol for a picked images?), and boom all the picks are there. And only the picks.
Lightroom is not just a powerful editing tool - it has a very powerful Library Module with excellent search capabilities.
The problem now is that there are some very similar images that I do not want.
All I do is zoom in a bit (moving the thumbnail slider bottom right over to the right), and use the Lightroom keyboard shourtcut U to "Unpick" the images that I do not want to spend time editing.
This is my benchmark for picking an image or not - am I prepared to spend the time editing the image, and do I want to publish this image on my website?
And here are the new images to edit.
If you are wondering why the thumbnails have a number 4 next to them this is because I forgot to do a screen shot of the images before I did the HDR Merge.
The important but boring bit. Keeping the files where they should be. I need to move the images that I do not want back to the "Rest" folder - to do this I click on the white flag in the filter bar, and then click on the flag in the middle.
The white flag is Picks, the black flag on the right is rejects, and the flag in the middle is neither pick nor reject. Click on that flag and the 4 images that I do not want are there - I just use Control A and drag and drop them in the "Rest" folder.
It is very important to keep on top of where images are - imagine not doing any of this and having to sort things out years down the line.
This is the big mistake that I amde back in the days of Lightroom 1.0. It is so quick to move things around in Lightroom these days, so best do it at the time.
Thats all for now - tomorrow less technical talk and more about the images that I have chosen.
Any questions please get in touch using the comment box - I always reply.
OK - job number 1 is to calibrate my monitor, which I have just done. Now I am loking at the right colours. I do this once a fortnight, apart from when I forget, but always before a serious edit.
I use the Eye One Match 3 from X-Rite
Rick McEvoy ABIPP
I thought I would start off with a list of things to do – it has been a while after all.
The end point here is a brand-new website, Photos of Santorini. I am delighted that I have waited until now, as before I did not have a purpose for the photos I took in Santorini – and now I do. A website just for my photos of Santorini.
I am going to go through the images in my Lightroom Catalogue and see if there are any images that I did not select for the edit – I am now looking at these images with a different end in mind after all, so always good to have a quick look.
I took 2442 images, which equate to 763 images once bracketed images have been put together. I selected 108 images to edit last year – lets see what I come up with this time.
Yes, I need to do this – I keep closing the reminders when I fire up my PC in the morning, but I will behave and start with a freshly calibrated monitor.
When I say edit the images I mean edit the images. Get all the images that I want to use fully edited. I started doing this over a year ago, but thankfully I can pick up where I left off just fine. To date I have edited 52 images.
And I have to say that I am rather excited to be getting on with the editing – I have upgraded the RAM in my PC, and Lightroom has received significant updates from Adobe since I last worked on these images, so image editing will be a more pleasurable experience.
I need to assign a rating to the images in Lightroom – 4 stars. I am saying this as I often forget.
Very important. I need to make sure that I have added data to the following fields in Lightroom
I need to make sure that the metadata is correct, and to do this there is another job that I need to do.
This is a big job on its own – not only do I need to research the metadata, but also research the content that is going to be added to my new website, Photos of Santorini. I need to do this before I start to construct the layout of my new website – this is all about getting the job done thoroughly, and once.
Once the images have all the metadata they are ready for upload – I need to make sure that the upload method puts the correct data in the correct fields on my WordPress website.
This is something that I do so I have the images with me wherever I go, on Lightroom Mobile. I must remember however that that images on Lightroom Mobile rather infuriatingly do not have the keywords attached to them, so I have to do all the uploading and posting from my desktop.
The website is live now on the internet with a few images.
Things that I have done to the website are
I need to go back and see if there is anything else that I need to. I know that this is boring back of house stuff, but it is very important for a successful website.
Other things that I need to consider with the website are these
And this is a great reminder to me to check out some of his YouTube videos.
And another thing I need to remind myself of is this – the idea is that this is a quick process – not a l long drawn out search for perfection.
But for the first website I need to spend time learning stuff to make sure I do this properly – this is a time investment for the future, not a short-term thing.
I am thinking that the text content will be circa 50 blog posts on the website, talking about the photos I have taken – these are the headings I am thinking of.
I have also thought of a few pages about Santorini – these could be static web pages or blog posts. Possible things are
The website will then be a useful resource about Santorini, and not just about my photos. I want a website that is of interest to people, and also helpful – this is not just about me trying to flog advertising and images.
Well not just that, but that would be nice…
I need to add an amount of text, so Google will index the content and I will appear in search queries for photos of Santorini, and other keywords of course.
I am going to extract out all the website stuff as I do things, so I know what I have done. The plan is that I can create more websites with photos from other locations, using the process I am going through on this website.
This is very much the beginning of what could be an exciting new chapter in my photographic life.
The photos are just a time thing. That I have sorted so I can just get on with it. The hard work here is the website itself – the technical stuff and the pages and content on each page.
Once the website is done my plan is this – leave it. I will of course keep far too close an eye on the analytics, but to start with I am going to leave it for 6 months and see what happens.
I have scheduled a blog post for the middle of September titled “How I built a WordPress website” which will be a useful guide for anyone else wanting to do what I am about to embark on. Obviously, the title might change but you get the idea.
I will report back periodically on what is happening with the website, which is very exciting. I love the idea of creating a brand-new website with my photos as the main content – this really is how I want to build a business – stay with me as I go through this exciting process.
I have successfully achieved the designation ABIPP – yes, I have my Associateship of the British Institute of Professional Photography.
And to celebrate his I posted all 40 images form my portfolio on my photography blog. I have added them all to a new page on my website called Portfolio.
I have also just done my 2017 2018 accounts which I have submitted to my accountant – that is a big worry out of the way. And also means that I will not get distracted by them over the rest of July. And for the first time I have managed to do them early!
Firstly, I have changed my website URL from
It has taken a while, but I think I have all the back of house stuff done. The old URL and all the other pages and links still work, but my primary domain is a .com one.
I will write about this in a separate post.
The other website related thing takes me back to my photos of Santorini. What do I do with the images once I have edited them all? I don’t want to put them onto stock site, even though one of my targets for 2018 was to earn a good income from stock photography.
This changed when I sold an image on Adobe Stock for 53p!
Do I want to sell my photos of Santorini for a pittance?
No. This is what I am going to do.
I have a new website
And this is where my Santorini photos will live. Only on this website, and my own website. No stock sites involved.
This is what it looks like at the moment. Very much work in progress.
I have tasked myself with completing the editing of all the images and adding them to this new website by the end of July. The website in its basic form is live on the internet – you can view it any time you want.
I have not decided how many images yes, I will decide this when I am going through the process. I am thinking of either
Why not all of them? Each one has its own value. And a number will provide an unnatural limit.
This is what I am going to – I am going to put any image on there that I think is interesting, worthy or saleable.
I also plan to add circa 50 blog posts onto this website, and then leave it and see what happens.
The blog posts will be about Santorini and my photos.
The website needs an amount of text for Google to index and list a web page.
I think adding some general information about Santorini will complete the website as a standalone entity.
By the end of the month I will have the website complete and some blog posts on there. I am not expecting all
All very exciting. My hope is that I can create a passive income from this website – if this works I will produce another website of somewhere else I have photographed a lot.
I am not going to do any. Well apart from the basics such as image metadata and a considered website structure, I am going to rely solely on the quality of the content I write.
I want to see if this works. And I am not going to overthink this – I am just going to get stuck into this and get it done.
I have spent too much time faffing around getting things perfect without completing them.
But for now, that is the plan, and this time I have an end point for the images which should give me the impetus to finally complete this task that has been hanging around for far too long.
So, the next three weeks will be a combination of image editing, selecting and rejecting, as well as the production and populating of a brand-new website.
And a note to myself here – I must capture everything that I have done to produce this new website to make further websites much easier to do.
The only distraction from this will be the publication of my articles on Improve Photography, keeping up with my fortnightly publishing schedule. I enjoy this, love getting feedback from readers, good or bad, and it pays me a bit of money.
Please pop over to photos of Santorini any time and let me know what you think – I am always appreciative of peoples’ thoughts on what I am doing.
It has been a busy time. Time to kick back for a week and a bit to focus on finishing those Santorini photos. When I say kick back I actually mean
I will have a think about this. And another idea I have for this set of circa 100 images.
By the end of next week I hope to have a fully edited set of pictures of Santorini.
Tomorrow - a brand new Santorini photo.
But for today, in true Blue Peter style, heres one I prepared earlier...
I know the video is not the best quality, but check out that surreal sky and sea. That is the reward for getting up at sunrise.
But this video is all about the moment, just me sat on the rocks waiting for the sun to appear. Camera set up and ready to capture this moment.
This is why I love travel photography!
Has it worked for me?
Which is the best top level domain?
I guess it depends.
Time will tell. I will provide an update on Bastille Day - this is 6 weeks after the switch to .com. That is the 14th July. And my birthday!
Loving this - I might have missed the sunrise but I still got some great photos!
This is straight from Lightroom with no editing at all!
It is all about the light!
Yesterday I posed the thorny question - Social Media for Photographers - essential or a waste of time?
This is the bit about me - the justification for my grumpy stance!
And the reaction?
Well it was a big day football wise here in England. Maybe that's why its all gone quiet.....
Yes I have decided to ask the question
Publication 5pm UK time today. Improve Photography.
Let's see what reaction I get from this....
How to evolve and grow as a photographer - that was the starting title.
And then I thought – can I put this in a better way?
Same question – so many ways of putting it.
But hopefully you get the point? I will stick with the original title.
I am in the post portfolio reflective period having published those 40 images, 20 interiors, and 20 exteriors, on my photography blog.
Having published those 40 images, and having written about them, I found myself reflecting on where I am as a photographer now compared to where I was when I took the first image in my architectural photography portfolio.
The first image in my architectural photography portfolio was taken in 2011. 7 years ago.
In this post I want to explore the development of my photographic work and business. Hopefully this will help you if you are seeking to progress from amateur to professional photographer.
One thing that this does prove is that it is ever too late to pursue your dream, whatever that may be. Of course it would have been good if I had stuck to my chosen path all those years ago, but my experiences up to now have all made me what I am now.
For those of you who don’t know me I am 50 years old…..
Before I start, I need to go back a bit in time. Well quite a long way to be fair. I am after all quite old now!
I want to quickly take you right back to the beginning of my interest in photography, which started at the age of 13 - 1980 would you believe.
Yes, I am that old. And that sounds like a long long time ago…
My Mum and Dad bought me a Fuji ST SLR camera with kit lens. I seem to think it might have been the STX-1. I had that for a while, before convincing them to treat me to a Canon AL1. This SLR camera was special as it beeped when I got the focus correct! That was the state of technology back then.
I had my own darkroom at 15, with my enlarger in the chest freezer in the utility room in our family home.
I went to Art College at 18, with the intention of studying photography. I got to April of the following year, when I left needing money to live (and spend on beer).
That was the end of my photography aspirations until 2007. I never lost my interest in photography, enjoying taking photos on holidays, but had no serious aspirations until 2007.
I had spinal surgery and left my job.
For the first time in my life I didn’t have a job. Well that lasted until mid February when I was approached and interviewed for a job. And I got the job.
I had two months without a job, in which time I bought and sold lots of gear and lost loads of time in Photoshop. This started the process, which I have been following ever since.
The early days/ years.
This was the beginning. I bought a Canon 5D and Canon 24-105mm lens. This opened my eyes to full frame photography with a professional L series lens. I still have that lens. And I still use that lens.
Camera bodies depreciate with time – lenses hold their value really well. I have actually sold a lens three years after buying it for more than I bought it for – that is like free rental!
In these years I was out and about photographing everything, end loving it. I was completely all over the place, but slowly my photography was developing.
When I say learning curves I am not referring to Photoshop curves - as you will find out later I have no real idea what curves are in Photoshop!
One thing to say here – to find out what you want to do and how you are going to do it you need to go through a learning curve – we all do.
And don’t forget 10,000 hours – it has been said that it takes 10,000 hours to be come truly proficient at something. Now that is obviously a broad-brush statement, but the principle is spot on.
I joined the Society of Wedding and Portrait Photographers. I was chasing all sorts of work. I was quite frankly all over the place, looking into everything and everything. I went to the SWPP convention in London, which was excellent I have to say. I bought lots of stuff when I was there, and collected lots and lots of information that I never read. I joined the industrial branch of the SWPP.
I went to the convention the next year, and attended an endless number of classes.
I never wanted to be a wedding photographer – well I did at the time but that was something that I learned much later.
I remember sitting in a class on Photoshop at the SWPP convention, and thinking that I didn’t belong – I didn’t have a clue what they were talking about. It all felt beyond me. Worst of all I thought I might never belong.
I spent a lot of time trying to learn Photoshop, not getting anywhere. It took me 10 years to work out why I was not getting anywhere – more on that later.
Thankfully this coincided with the introduction by Adobe of Lightroom – designed by photographers for photographers – that was the tag line with version 1 if my memory services me correctly.
I bought Lightroom 1.0, which was ordered online, with a disk being sent in the post in a nice box with a license key on the box.
That was how it was done.
Getting my first version of Lightroom was a big moment for me – I had second hand versions of Photoshop up until that point, and no structure to my image processing. Let’s be honest – my processing before Lightroom was virtually non-existent.
Lightroom gave me some structure – somewhere to put my photos so I could organise them.
I did my first commercial photography job. It was a celebrity chef would you believe. A bona-fide celebrity chef from off the telly.
That was a terrifying experience.
I had more gear with me then than I ever have now. And I did not really know what I was doing.
Everyone starts somewhere. So if you get a commercial job go for it. What is the worst than can happen?
You don’t get paid, and someone thinks you are rubbish.
That’s what I was afraid of, but I got paid for the job by the agency.
And my confidence grew during the shoot. Lesley and her husband even made a comment, which told me that I had convinced them that this was not my first job, and that I did this all the time!
I used Lightroom for that first job.
I got paid by cheque – I took a photo of the cheque. My first professional photography job done and paid for – most excellent!
Without Lightroom I would have been nowhere.
2007 to 2011 were a slow progression without much in the way of structure. Lets just call them the early days! My formative years as a photographer.
I did do quite a few commercial architectural jobs in this period.
Like the new Police Station in Poole.
So lets get to 2011
2011 was a bit of a landmark year for me, when I saw a big improvement in my photography. Well the architectural side of things. I had spent a lot of time practicing, doing the odd job here and there. And this photo was created in 2011 for the architect Andrew Stone. The commission was the photographing of an extension to a stunning country residence.
The extension was a private library, and I got lots of interesting photos from this shoot.
And this was where my interest in photographing classic English architecture grew from. I absolutely loved doing that job, even though it was really hard work.
I took too many images, but am glad that I did as this unique space has provided me with lots of different images that I still look back on 7 years on from the shoot.
And to think this was all done using a canon 5D Mk 1!
In 2011 I am still buying gear and not learning how to use it by the way.
And I was still not knowing what I wanted to do so, so the focus on my architectural photography, whilst still slowly evolving, was not there.
In development terms 2012 was a year when I seemed to do a lot but not achieve much. Not the most progressive year but formative for that reason.
Lots of things that I picked up went into my head and some of them stuck there, waiting to be applied in future years.
I have not got a lot to say about 2012 – that says a lot!!
This was the year I decided that I wanted to join a professional body that worked for me. I researched all the professional bodies in the UK, and further afield, and settled on the BIPP.
The BIPP is the British Institute of Professional Photography. Sounds good to me.
This was the year that I found my focus, and stopped trying to be all things to all people.
Get your sensor cleaned for free at trade shows/ conventions.
What I have learned from this and the SWPP convention before is that you can get your camera sensor cleaned for free – you drop you camera off and some poor person sat in a small cupboard cleans sensors all day – what an unforgiveable job.
I left my Canon 5D to have the sensor cleaned, then wandered off for the day. I spent a nice day browsing around all the things that are there to be seen.
I spent an age on the Manfrotto stand, buying a new tripod and head. This is the beauty of these shows having the time to speak to an expert about their gear, get the best advice and get the gear that is right for you. I am still using that tripod and head now, since buying them they have served me so well.
And I also got advice on some bits of kit that helped with other things.
And then I went back to pick up my beloved Canon 5D to be given the news that there was something on the sensor that could not be removed!
The next day I was awaiting delivery of a shiny new Canon 6D.
If you are operating professionally you really need a back-up camera.
I had finally got a portfolio of a standard together, which Bryn was happy with.
The meeting appointment made a huge difference – I was going to a show to meet someone prominent in the industry – that made a big difference to how I felt.
I met Bryn, we talked through my portfolio, and then I went off and ate lots, drank lots of coffee, spoke to lots of people and bought some gear.
It was a good, if long day out.
I submitted my portfolio, along with insurances and supporting evidence, then went to BIPP HQ in Aylesbury.
That was nerve wracking I have to say, but happily I was successful. Rick McEvoy LBIPP.
The press release said this. And yes, this was the first press release ever all about me!
“Local Photographer Awarded International Qualification
Poole based photographer, Rick McEvoy LBIPP, has received recognition for his Commercial photography after being awarded a Licentiateship by the British Institute of Professional Photography (BIPP).
Rick prides himself on producing elegant and uncontrived photographs. He is completely self taught and has developed his own highly effective and efficient work flows enabling him to provide a high quality service alongside the highest standards of imagery. Rick still uses techniques from his days in the darkroom when processing images on his computer, combining these traditional techniques (dodging and burning inter alia) with cutting edge digital processing.
When asked how he felt about achieving his LBIPP, Rick said “I was delighted to be awarded my Licentiateship by the BIPP. This for me was the culmination of many years of hard work spent in the evenings, weekends and very early mornings, working around day jobs and family life. Being completely self-taught I am delighted to achieve this recognition, and consider this a huge stepping stone in my work to become a full time photographer.”
BIPP President, Roy Meiklejon FBIPP, stated “BIPP qualifications are among the most rigorous in the world. Qualification with the BIPP requires hard work, determination, commitment and lots of creativity”.
As the qualifying body of professional photography in the UK, BIPP requires any photographer going for qualification to follow strict criteria and provide a substantial portfolio of commissioned work, together with supporting information about themselves as a professional.
To see more of Rick’s work please visit www.rickmcevoyphotography.co.uk
Notes to Editors:
• Contact: Jack Goward, 01296 642020, email@example.com
• The British Institute of Professional Photography (BIPP) is an internationally recognised qualifying organisation with over 100 years of experience in qualifying and supporting photographers. The core aims of BIPP are to qualify and support professional photographers, through a network of meetings, awards, training and benefits.
• The BIPP is a not for profit body, run by photographers for photographers.
• The BIPP has been fighting for and protecting photographers’ rights since 1901.
• The BIPP has over 3,000 members worldwide covering all disciplines of photography.
• Rick McEvoy LBIPP, 07772 252186, firstname.lastname@example.org, www.rickmcevoyphotography.co.uk”
Blimey. Impressive or what???
2014 image count - 3600 images
The year of the podcast. And photographing Travelodge Hotels.
As well as developing my architectural photography my learning exploded when I discovered podcasts. All of a sudden all the time I spent driving, and that was a lot of time, suddenly was learning time.
I went through every podcast I could find, choosing favourites which I stuck with, some being discarded along the way. And quite a few of my favourites fell by the wayside.
And the progression of my evolution towards a niche. Or two.
2015 was the year I feel like I spent working on my website. I employed an SEO company who did good things and bad things.
I was focusing on my website so much I cannot recall any other significant developments.
Which says a lot……
Image count in 2015 - 6281 images
The year I decided to write a daily photography blog. This was a key year, as it was the start of the process of raising the bar in terms of the standard of my writing.
Like a lot of things the more you practice the better you get. The daily discipline was good for me, forcing me to produce daily output. And when you put that kind of pressure on yourself it focuses the mind.
And I had another surprise when I started writing regularly – writing helped me put things in order, make sense of things, plan and record my thoughts
Writing was becoming a useful tool, and that is a great thing for a photographer to have – a very valuable second string that could be used to expand out the photographs that I have created.
I had a feeling that the writing was taking me to other places, down different avenues, opening up new opportunities.
On the down side I was trying to progress my professional photography qualifications, but was struggling with my portfolio. I could not come up with a set of images that I was happy with. After making my initial enquiries to the BIPP I failed to progress my application.
I had not found that focus that I needed.
Another new thing for me this year was my iPad Pro – a present from the wonderful Mrs M. This opened up lots of new things for me, principally
Last thing for 2016 was the introduction of my new backup strategy. A comprehensive, secure three-point back up using
Image count in 2017 - 6342 images
Last year. So much happened last year.
I started off the year having maintained my daily blog output. A full year of daily posts, with only the odd glitch.
I had the Associateship hangover though, sat there in the background irritating me, niggling away.
And then Santorini happened
This has provided me with a fantastic range of over 100 images that I am proud to have captured and produced.
I spent the early mornings capturing the sunrises, the daytime exploring the towns and the evenings capturing the sunsets.
All with a pair of red shoes.
I have written a lot of posts about my photos of Santorini, on my blog and elsewhere. It was the first time that I had a dedicated set of images from one location to work on. Processing these image took from April 2017 to June 2018 – there is a good reason for this.
I wanted to do something different with these images, something useful, of value, and something that I could use as a template for other trips.
When you get to 2018 you will find out what I have done with those photos of Santorini.
Another thing that happened ot me in 2018 was that I secured my biggest commercial commission. I was commissioned to photograph 10 sites by the architects Etchingham Morris Architecture Limited. I met with the two partners, Adrian and Mike, showed them some of the work I have done, and won the commission. My portfolio was in collections in Lightroom Mobile on my iPad Pro.
The 10 sites were photographed over a period of 4 months, and form a big part of my portfolio – again check 2018 for more about this.
I have written the following articles in Improve Photography
Want to be an architectural photographer? Read my guide here
10 Tips on getting work as an architectural photographer
5 Photography Mistakes I Keep On Making
10 ways to Improve your Photography in 2018
An Introduction to Lightroom for New Photographers
My Top 20 Photography Tips for Taking Better Photographs
10 tips for planning an architectural photography shoot
My Review of the Rode VideoMic Me
What gear do I use for my architectural photography? Find out here
10 baffling photography acronyms explained in actual English
How I take my architectural photography images – a detailed explanation
How to manage your data in Lightroom securely and efficiently
Santorini sunrise – how I captured and processed the shot
SEO for photographers websites – 10 things to think about
19 things for a client to do before you photograph their house
How I process my architectural photography images
Full frame DSLR photography without breaking the bank – this is how I do it
10 photography things I wish I’d known 10 years ago
These are 5 things I use Photoshop for – no layers required!
Most have been well received, but my article on Photoshop received a bit of criticism. Read that post and then go back to the pre 2011 and you will see what I was struggling with pre 2011, with the realization in 2018/ 2018 of why.
That kind of readership gave me the credibility to ask companies to send me things to review – the first item being the
Which Rode kindly sent me all the way from Australia.
This prompted me to contact other manufacturers and suppliers, and hopefully more product reviews will be forthcoming.
Last thing for 2017 was my intention to significantly improve my video production. I have to be honest and say that I have not managed to do that, although I have invested in the wonderful DJI Osmo Mobile, which I have dabbled with. This is something I need to get stuck into in 2018, although at the time of writing this has still not happened.
Image count in 2017 - 6342 images
I am writing this in June/ July 2018. Yes it took me a while to capture this little lot and make sense of what I am trying to say.
And it feels good doing rather than floundering.
I am now an ABIPP – Associate of the British Institute of Professional Photography. And I am very very happy with that. And this is why I have posted all 40 images from my portfolio – just because I can and I want to share my portfolio with the whole world.
And here is the press release for this momentous occasion.
“Issued: June 2018
For Immediate Release
Rick McEvoy ABIPP is a specialist architectural, construction and industrial photographer based in Dorset, who has recently achieved his Associateship (ABIPP) in Commercial Photography.
Rick joined the BIPP in 2013, gaining his Licentiateship in Commercial Photography in 2014. As well as commercial work, Rick is an independent writer on the Improve Photography website, has a daily photography blog, and has been published in a variety of publications in the UK and further afield. He also produces fine art prints that are for sale on his website.
Rick is a keen travel photographer, with examples of his work featuring on his website, with lots of new plans being worked on for 2018.
His portfolio submission consisted of 40 architectural photography images, 20 interior images and 20 exterior images. All bar one of the images were from commercial commissions carried out for architects and property owners.
You can view Rick’s complete portfolio at www.rickmcevoyphotography.co.uk/portfolio
When we asked Rick how he felt about achieving his Associateship, he said: “I feel honored, proud and I don't mind saying relieved that I was successful in achieving my Associateship. It has taken me a couple of years to get together a portfolio that I was happy with. I am pretty much self-taught.”
To see more of Rick’s work please visit – rickmcevoyphotography.com
Notes to Editors:
And what next? Fellowship. Hmmmmm – will come back to that one in a couple of years. I do have some ideas of course….
This year I have gone from a website with the URL
Why have I done this?
As a writer on Improve Photography I have the luxury of having direct access to the creator of that very successful website, Jim Harmer.
During an exchange of emails Jim suggested that a .com URL was more meaningful than a .co.uk URL. More meaningful to the worldwide photography community that is, which makes perfect sense.
I made the change and watched the web traffic plummet.
So I reverted back to .co.uk. And received further advice, which was this.
Tell Google Search Console about the change and wait and see – the traffic should come back after such a major change.
That is what I did – I am currently waiting for the 6-week recovery period to arrive, which I will write about in two weeks.
Web traffic plummeted. This is after a steady period of growth - a very steady period of growth.
But time will tell....
And now I have my first standalone website which is being gradually populated with images. The website is called
Photos of Santorini - the URL is (imaginatively) www.photosofsantorini.com
I was not expecting to get that URL but there it was for just over £20 for two years!
Time to teach myself Wordpress I guess. This is the next job, getting the website and images onto this brand new website.
Once I have done this, and finished editing the photos of Santorini I am going to leave this and see what happens.
This is my next big evolution, and one that no doubt I will be writing about a lot in the future.
Now that this post is written it is back to my photos of Santorini until they are finished and my Photos of Santorini website is done and put to bed.
I want to continue on the paths I have embarked on in 2019, for now I am going to carry on making 2018 the best I can.
I have heard this referred to as CEO time on some podcasts. The point is this. I have found myself bogged down with all sorts of things all over the place.
I gave myself a break and got things clear in my head and everything structured.
And documented all.
My thinking time has given me a structure where I can organise thoughts and new information without trying to keep it all in my head.
This has freed my thinking to allow me to be much much more productive and effective.
Take time out, take a step back and give yourself time to think about what you are doing.
This really helped me tremendously.
What am I listening to now?
I am now listening to a mix of photography news, cricket and business podcasts. Nowhere near as much photography as I used to listen to – I think I overdid it 2 year ago and am now saturated but informed!
Image count for 2018 - 1526 - well down on 2017!
Keep going with my chosen niche paths.
I would like to summarise this post by saying that we all need to try things to work out what we want to do. It is fine to try things and fail.
And you have to go through the things that are not relevant to find the things that are – that is just the learning curve we all have to go through.
Once you have a plan that is sound and takes account of what you have learnt and where you want to get follow that path consistently Of course things change over time but the main point of this is that I have made the most progress when I have spent time doing the things I have thought long and hard about doing.
What am I focusing on now?
That is it.
I have niched down.
Lets see where this takes me in 2019!
Thank you for reading this post, which I hope you will helpful when thinking how you can evolve as a photographer in the future.
Please ask any questions either in the comments field, or by email
Today I write a long piece about how I have evolved as a photographer - it is published at 11am - please check this out and give me your thoughts and comments.