21 tips for photographers that will actually make a difference

In this post I will write about 20 things that I heave learned that will actually help you with your photography. These are things that I have learned over the many years I have been intersted in and working in photography.

The 21st tip is a list of 10 points summarising everything.

These are 20 things that I wish I had known when I started taking my photography seriously, with a view to be it being my primary source of income.

For me this was in the year 2007.

I hope that you find these 20 things useful - please get back to me with any questions or comments.

These are all my own opinions, and are based on my personal experiences

I hope you find them helpful.

A lot of these points are interrelated, and things will get a mention more than once, but at the end I will summarise with 10 key points what I have written about in this blog post.

They are in no particular order, just the way things came out of my head. And the way things come out of my head can be rather unusual at times!

1 – Don’t worry about the gear

This is quite a big one for me.

Get the best gear you can, but don’t break the bank. That is the first general point I want to get across to everyone getting started in photography.

I have less gear now than at any time since I got into photography seriously.

And to be honest this applies to all of us at all stages of our journeys. In my humble opinion there is too much talk about photography gear.

I have been using my Canon 6D for well over 5 years now, and it still produces great images. I have images in my portfolio that were taken with my 12 mega pixel Canon 5D. And do you know what – you cannot tell that they were taken with a 10-year-old camera? Well I say 10 year old camera….

How old is the Canon 5D? THis might shock you - it was announeced by Canon on 22nd August 2005.


13 years ago.

My clients are not interested in my gear – all they care about is the images that I produce for them. I have never been asked (other than in passing interest by a client with an interest in ) about the cameras and lenses I use.

The only time has been when I was with a client who had an interest in photography.

Don’t worry about the gear – get the best you can and use it.

Peak Design Evryday Backpack 22052018.PNG

And another point – don’t take all your gear with you wherever you go.

I have my day to day go to gear in my Peak Design Everyday Backpack. This is a small 20 litre bag.

It looks like this.

In it I carry the following gear

Canon 6D

Canon 6D 21052018.PNG
Canon 17-40 21052018.PNG
Canon 70-200 21052018.PNG

And a few other bits – memory cards, spare batteries, a Platypod and ball head, a couple of key filters, a grey card, colour card, cloths and wipes.


Manfrotto 190 Go tripod (which fits in a side pocket and is strapped in place) with geared head

Not forgetting my Neewer Loupe Viewer which fits in the middle of my bag in a small tupperware box.

And my trusty drinks bottle - here it is nestled on the other side of my bag.

And that is the core photogrpahy gear I use 95% of the time.

 My old Peak Design Everyday Backpack on location in Santorini

My old Peak Design Everyday Backpack on location in Santorini

 Canon 6D, Canon 17-40mm lens, Platypod Pro live on location on an architectural shoot in Dorset

Canon 6D, Canon 17-40mm lens, Platypod Pro live on location on an architectural shoot in Dorset

I have written an article which you can read on the Improve Photography website called Full frame DSLR photography without breaking the bank – this is how I do it

 My article on the Improve Photography website

My article on the Improve Photography website

2 – Second hand gear is fine

The first full frame DSLR I bought was a Canon 5D. I bought it in 2007 on EBay from a photographer who had bought the camera new, and had not had it long but had a change of heart and wanted to stay with medium format.

Yes - that is 11 years ago. And it still works just fine today.

I wonder what happened to the chap I bought the camera from all those years ago?

The camera looked new, and all the packaging was there. The only difference was that the box was not sealed, and I did not get a receipt and 12 months guarantee.

Quick piece of advice - when you buy a camera save all the packaging for when (if) you sell the camera - you might not get more money for the camera but it will be more attractive to a buyer than one without. And you migh get a higher bid you never know.

That camera worked faultlessly for me in my formative years as an amateur photographer, and I used this great camera on my first commercial photography job, and many subsequent commercial jobs.

I used my Canon 5D on this shoot, photographing the extension and new entrance to St Anns Hospital in Poole for Vinci Construction.

 St Anns Hospital Poole by Construction Photographer Rick McEvoy.jpg

St Anns Hospital Poole by Construction Photographer Rick McEvoy.jpg

Acccordig to Lightroom I took 12,000 photos with that camera.

And I only upgraded after a problem caused by me. One for another time….

Let’s talk about lenses

I have lenses that I bought new, and lenses that I bought second hand. And can I tell them apart? Not really no. Of course, I know which are which, but in practical terms they all produce great results.

And a slight aside here but an important point all the same – lenses hold their value incredibly well. Lenses are a great investment - I sold a lens five years after I bought it and got more than I paid for it.

Again, the last article I wrote on the Improve Photography website talks about this as well, and the gear that I use. I have linked to it above.

3 – Learn about composition

 Classic lines in this compostion for an architect - this pleases me

Classic lines in this compostion for an architect - this pleases me

Please do this. I din’t give composition enough importance.

I was too busy looking at what gear to buy next and taking photos without really thinking about composition.

What happened?

This is what happened.

I got bored with producing average photos.

I bored myself to be honest. And this was when I started to think about my images, what I didn’t like about them, and how I might make them better.

I stopped obsessing about my gear, and instead concentrated on the pictures themselves.

I looked at the work of the best photographers, read books and took the time to critique my work. It was at this time that I submitted my first portfolio submission to the BIPP – that is the British Institute of Professional Photography.

My first submission was a complete revelation – a Hasselblad Master called Bryn Griffiths very kindly and patiently critiqued the images I sent him. I had to rethink my submission, and quite a few of the images were removed from my portfolio and replaced with images that worked better.

I will say that again - a Hasselblad master critiqued my photographic work!

This was the beginning really of my realisation of what really matters in photography.

Composition is king.

Get the composition right and you have a great photo. This is a photo that could be taken on the best DLSR, a lovely Hasselblad, an iPhone, a point and shoot – any camera.

But a rubbish composition is a rubbish composition, and probably a rubbish photo, whatever the camera.

If you take away these two things and these two things only this I will be very very happy.

Forget the gear.

Work on composition.

If you are happy to read on, then thank you.But if not take these two lines with you and keep them in your head.

To continue with the portfolio thing and the BIPP, last month I had my second portfolio assessment at the BIPP – this time for my Associateship.

Associateship is defined by the BIPP as

“A high standard of craftsmanship and creative ability”

And all those years on from the initial critique, all I was asked to change by Bryn was the white balance to some of my interior images – that was it. No images were changed. And the edits were commercial images issued to clients.

I have worked very hard on improving the quality of my images, and this is the result.

 Composition on a architectural photgraphy shoot

Composition on a architectural photgraphy shoot


I got my Associateship – I am now an ABIPP. And one of the points of feedback was the observation that I did not appear to crop many, if any, of the 40 images submitted. I had not thought about this, but it turns out this is the case.

I rarely crop an image. Like I say this is not a deliberate ploy, some attempt at a certain style, trying to be different.

No – this was pointed out to me and is the logical conclusion of the work I have done to date on my composition, and also taking the time and care when capturing images.

And also in this process my own individual style emerged for the first time.

I will talk about my professional qualifications later on in this post.

 Me on location in Santorini - loving being out there

Me on location in Santorini - loving being out there

4 – Get off the computer and get out there

Another mistake I made. Rather than getting out there taking photos I spent too much time working on photos in Lightroom and then every worse doing nothing with them.

And lots of time backing up!!!!

Now I know we all need to practice to learn Lightroom but please give this some thought – apply some structure to your learning and you will progress in leaps and bounds.

Do not do what I did, which basically was keep on doing the same things to more and more images, or you will stagnate. and with stagnation comes frustration and the risk of going off photography.

And whilst learning Lightroom don’t but any plug-ins. I did.

And do I use them? Some yes, but most no. Another waste of my money.

 Sunrise on Santorini by Rick McEvoy travel photography

Sunrise on Santorini by Rick McEvoy travel photography

What is photography all about? Taking photos.

Being out with a camera is a joy that we should all embrace more than we do.

I spend more time writing these days than I do taking photos – an occupational hazard – but when I get the opportunity there is nothing I enjoy more than sitting waiting for the sun to rise, or setting up my tripod to take a considered photo of a stunning building.

Even more of a joy when you have a lightweight backpack and are not burdened with 50kgs of back-breaking stuff!

Photography is a pleasure that should be enjoyed in my opinion, not a technical exercise or way of emptying my wallet.

5 – Take less photos

I know - this seems to contradict point 4.

Take less photos?

Let me explain. Get out more, take the shots you want, work the scene by all means. And then move on.

Get out more to take photos, but take less photos when you are out there.

It took me a while to realise that I was taking the same scene more than once. On architectural shoots I would work in a logical order around a building, and then at the end if I had time photograph as many things again from the beginning.

I think it was a lack of confidence at the time. And I never used any of the images I took again – the ones I took on the first place were without exception better.

This is something that I have looked into - pretty much without exception the first image I have taken on any kind of shoot is the one I use.

These days when I am working on an architectural shoot I aim to capture as few images as possible. I photographed a very famous persons house the other month, and on the internals I took one or two shots per room.

I took the time to get my composition bang on for the views needed and that was that.

This of course relates back to the point about composition – take the time to get the composition right and you don’t need to move three feet to the left to take the same scene from a very marginally different viewpoint.

And the way I take and process photos I rarely have to worry about my exposure. For me it is all about keeping things simple.

Take less photos and you will thank me when you are going through your photos in Lightroom, or whatever software you might be using.

I hate having to choose between virtually identical images - I absolutely hate it.

I love going through an architectural shoot and picking consecutive images as picks to edit. This tells me that I was working at my optimum.

The higher the percentage of image captures to keepers the happier I am!

6 – Take more photos in interesting places. I will qualify this at the end somewhat.

I am not saying get out and photograph the most often photographed locations. For me that would be Durdle Door, which I have photographed twice. If I want to look at a photo of Durdle Door there are thousands of images out there.

Is another picture of Durdle Door done by me needed?

Not really…..

No - get out to interesting places, not necessarily those that would feature in a “Top 10 locations to photograph in Dorset” kind of thing.

Take this shot, which was taken one New Year’s Eve afternoon at my local woods, which to my shame I had never been to before. In that one afternoon I get some really great stuff, and no-one knows or indeed cares where I took the photos.

All people care about is the photos themselves. Yep - I am back to the composition.

 Delph Woods, Poole - landscape photography in Dorset

Delph Woods, Poole - landscape photography in Dorset

This photo was actually taken at 4pm on New Years Eve 1 mile from my home!

Do not restrict yourself to the headline locations. I hear tales of lines of photographers at the headline locations standing shoulder to shoulder all taking the same image! This ounds horrendous to me.

Go to places others don’t go, find things to photograph. Be original.

I find that I am the only one at a location when I am taking photos. Just how I like it. Check out this video of me all by myself on the wonderful island of Santorini.

7 – Forget layers in Photoshop (and stick to Lightroom)


Seriously. I don’t use layers. I have a couple of times for sky replacements, which I try to avoid doing, but apart from that I don’t get layers.

I will say that again - I don’t get layers, and have not worked out why I would need them for the photography work I do? Maybe I just don’t need them.

I am quite a literal person - I struggle to understand things if I have no use for them.

I wrote about this on Improve Photography - check out These are 5 things I use Photoshop for – no layers required! which I got a bit of stick for!

I process my images in Lightroom. I only go into Photoshop to remove things that I can’t remove in Lightroom. I have spent hours and hours trying to learn Photoshop – the problem was that I did not have a need for Photoshop, so I was trying to learn something I did not actually need.

All I use in Photoshop is the following

  • Clone stamp tool

  • Patch tool

  • Healing brush

  • Content aware crop

  • And I resize images if I need them printing at specific sizes

I have nothing against Photoshop - I just find it hard to naviagate and use, and there are so many options it is hard narrowing it down to the things I need. I feel for any new photographer firing Photoshop up for the first time and staring at the monitor with no clue what to do next - I can remember that feeling too well.

I am happy with Lightroom thanks. I dont know how to edit images in Photoshop. And I dont care!

Here is why I can get away with only doing these things in Photoshop, and why I don’t need layers.

I do as much of my image editing in Lightroom, but sometimes I need to go to Photoshop to carry out some of the thnigs I listed above.

When I need to go into Photoshop I select Edit in Photoshop, and Lightroom sends the image to Photoshop. Once I am done I hit save and the image appears next to the original image sent to Lightroom.

The new file with the photoshop edits is a brand new Tif file, the original Lightroom file is exactly as it was before being sent to Photoshop.

I therefore do not need to worry about undoing the work I have done in Photoshop, as it is so minimal I can just do it again and produce another new Tif file. If you work in layers in Photoshop you can (apparently) go back and undo stuff (as long as you have edited the photo and saved as a PSD file).

This is why I don’t need layers, and why it doesn’t bother me either. Any work done in Photoshop is saved to a brand new file, leaving the Lightroom edit where it was. And there is not that much to undo.

Non-destructive editing to the max!

8 – Start your photography journey with Lightroom

 Adobe Lightroom Classic 7.3 on my PC

Adobe Lightroom Classic 7.3 on my PC

Lightroom is fantastic. I use it all the time.

And I suggest you should too.

I have been using Lightroom for over 10 years now and can honestly say that the latest version of Lightroom Classic is the best yet. I have been using Lightroom since version 1.0.

Get Lightroom. Learn Lightroom.

Don’t try anything else.

To begin with, once you have Lightroom, put all your photos into a single catalogue in Lightroom. Then you can use Lightroom to organise your photos – the Library Module is incredibly powerful, and as far as I am concerned is the best software to use to manage your photos.

Let’s think about this for second - once you have all your images in Lightroom why would you edit your photos anywhere else?

I do as much of my editing as I possibly can in Lightroom – if I can edit an image in Lightroom and not go anywhere else to do more work I am a happy person.

Get as much RAM as you can

A point of digression here – I have just upgraded the RAM in my Dell PC to 16GB from 8GB and it has made a massive difference to Lightroom. In the Lightroom Classic 7.3 upgrade performance improvements were added, but you needed 12GB or more to benefit from these improvements.

Get more RAM and get to know Lightroom and Lightroom only - you will thank me for this trust me!

If you can survive without Photoshop then happy days, but if you feel the need then I can recommend this book which I am going to get.

The Photoshop Toolbox: Essential Techniques for Mastering Layer Masks, Brushes, and Blend modes - released 28th November 2018.

The book is written by Glyn Dewis, a British photographer, and I will copy a bit of the extract from Amazon which I like

“Adobe Photoshop is one of the most powerful image-editing applications ever created, but it is also widely thought to be difficult to learn, infinite in scope, and nearly impossible to master. For these reasons, many photographers choose to stay exclusively with Lightroom for all their photography needs. But for those photographers who subscribe to the Adobe Creative Cloud Photography plan--which includes both Lightroom and Photoshop--to leave Photoshop unopened and unexplored is to deny yourself the ability to take your creativity and expression to a whole new level.“

9 – Learn Lightroom properly before trying anything else

Going on….

I started using Lightroom, and at the same time discovered the wonderful world of plug-ins and other photo editnig software. Well it was a whole new world to me. I bought the following

  • Photomatix Pro

  • Topaz Labs

  • On One Perfect Suite

  • Nik Collection

  • PT Gui

There are probably some others I bought which I can’t even remember.

And I played around with them, without ever mastering any of them. Well I did get into the Nik Collection, mainly for black and white conversions, but that pleasure was taken away from me!

And this was at the same time as trying to learn how to use Lightroom. I mean trying as I was so distracted.

And when I got an iPad Pro I got even more stuff. Another new toy shop of stuff.

Now I am working as a professional photographer what software do I use?

  • Lightroom

And when needed

  • Photoshop


  • Lightroom Mobile

Lightroom Mobile is an essential tool, which syncs with Lightroom Classic on my desktop. And this means I can access the photos I need to anyhwere on my iPad and phone.


That is all I use for editing images - nothing else.

10 – Get honest critiques of your work

I mean people who know what they are looking at. I don’t think that family members are the best people to critique your work – they love you after all (well I hope that do) and will not give you an honest critique.

So don’t ask them. Ask someone who knows what they are talking about who can be completely honest with you.

Social media is a minefield, and not to be relied on for feedback on images.

You have to remember that people scrolling through endless photos are probably liking your photo in the hope that you will see this and like one of theirs. And they have liked many other photos, giving each one equal time, care and attention – a second if you are lucky.

Find someone who you can trust to critique your work. I use the BIPP for this, and I write about this elsewhere in this post.

And when you have had a critique from someone who knows what they are talking about it is very very important to act on that critique.

This is another important point – learn something, then make sure you act on it. If you don’t act on something you learn you might as well have not bothered learning it in the first place! This is another thing that I have learned from experience - now I listen ot much less stuff and act on the good stuff that I learn that will help me take better photos.

11 – Join a professional body

BIPP qualified logo ABIPP Black.jpg

I am a firm believer in professional bodies and professional qualifications. I have been a Chartered Member of the CIOB, the Chartered Institute of Building - MCIOB. This is the benchmark professional qualification for construction management professionals.

And I am proud of this fact.

I was a member of the SWPP for some time – this is the Society of Wedding and Portrait Photographers. Not an obvious choice for me, but this was in the early days of my journey into professional photography.

Now I am sure there is nothing wrong with the SWPP, but I left having not got a lot out of my membership.

Like I say, nothing against the SWPP - the convention they runin London is pretty fantastic to be fair. It is just that I joined the SWPP at the time that I was all over the place.

And when I began to focus my attention

I came across the BIPP – the British Institute of Professional Photography. I applied to join the BIPP, and to get my first qualification I had to submit a portfolio which was critiqued, rejected and worked on quite a lot before it was of a standard for entry level membership, LBIPP – Licentiate of the British Institute of Professional Photography.

This qualification is described by the BIPP on the qualifications page as

“Entry level qualification, showing an established professional level of skill and competence”

It took me a while to get a set of images to this standard and was the first professional critique I had experienced.

I found this a really difficult process, as I did not really know what I was doing. Thankfully I was helped through the process.

That was then, and now I have managed to upgrade my qualifications.

I have now achieved my Associateship, ABIPP. This is defined by the BIPP as

“A high standard of craftsmanship and creative ability”

It was much easier to select the images for this submission. I tried to do this a couple of years ago, but I was not happy with the standard of my work.

I had a much better set of images, and had learned a lot since that first submission.

Not only do I get qualifications and recognition of the level of my work, the BIPP provide great information and the magazine they produce I read cover to cover every month. And I don’t read much else thinking about it.

BIPP qualified logo ABIPP White.jpg

Join a professional body – one that is relevant to you and the photography work that you want to do or are doing. Embrace that professional body and gain the qualifications available – it pushed me to a higher level of work and can do the same for anyone.

And I think that having the logo on my email footer, website, well everywhere gived me a more professional look - as it should!

12 – Don’t research a location too much before going there

Another controversial point of view.

There are many Apps you can get that will show you all the great images from a location, so you know exactly what you are going to get when you arrive at that very spot.

And if you pick a really famous spot when you get there you might be shoulder to shoulder with lots of other photographers.

This sounds like an absolute nightmare to me. So bad I have mentioned this twice in this blog post.

What is the point of going to a location and taking the same photos everyone else already has? And more to the point what is the point of standing next to someone else taking the same photo at the same time as you?

And even worse, do you want to go to a location with photos others have already taken in the back of your mind?

This was really the point. I do not want in my head a preconceived set of images that I am looking to capture myself. I might as well just stay at home and look at the images on my PC.

I do not research a location other than the headline research that tells me that there is interesting stuff there to photograph.

I will give you an example here.


I was treated (by the wonderful Mrs. M) to a 5-day photographic trip to the wonderful Greek Island of Santorini. I had wanted to go there for years. I did no research at all.

I knew about Santorini, and had always wanted to go there, but I wanted to go and choose the lcoations myself.

The only thing I did work out was where the sun rose and set each day, and where that fitted in with the geography of the island. And what time of course.

Apart from that my research was all done out on location. I basically walked around potential locations on arrival and chose my spot for the first sunrise.

I did my research with my feet, and I loved it.

And guess what - I didn’t come across another photographer anywhere. Apart from one coach party that arrived too late for the pre-sunrise wonders that I witnessed.

 Santorini by Rick McEvoy ABIPP travel photographer

Santorini by Rick McEvoy ABIPP travel photographer

The first sunset was basically us sitting on the terrace at our hotel – it was that easy. But sunrises were about getting out and about early.

 Santorini sunset by Rick McEvoy ABIPP - Travel Photographer

Santorini sunset by Rick McEvoy ABIPP - Travel Photographer

OK it was not by luck that this was the view from our room! My wife plans things. Like this room.

But I hope you get the point - find your own compositions without having other peoples work in your head.

13 – Practice, practice, practice. And fail.

This is an easy one. The more you practice the better you get. This is just a fact. There is the 10,000-hour thing – that is the amount of time it takes to become proficient at something.

I don’t know who said this, but I can see the logic in it.

I have probably spent 10,000 hours in Lightroom – I don’t suggest you do that by the way. And I dread to think how many hours in Photoshop!

Here I am taking about getting out and taking photos.

And don’t be afraid of failing. Failing is one of the best ways of learning. I should know - I produced no end of rubbish when I was starting out.

Practice any type of photography that you find interesting. Don’t restrict yourself to landscapes. Try other things. If you don’t like them fine - just don’t do them any more.

Here are 14 quotes about failure from the inspirational James Dyson, which I have extracted from the website Logo Maker. I love these - they are truly inspirational. And so true.

  • “I could buy companies, tart up their products and put my name on them, but I don’t want to do that. That’s what our competitors do.”

  • “I made 5,127 prototypes of my vacuum before I got it right. There were 5,126 failures. But I learned from each one. That’s how I came up with a solution. So I don’t mind failure.”

  • “The key to success is failure… Success is made of 99 percent failure.”

  • “We’re taught to do things the right way. But if you want to discover something that other people haven’t, you need to do things the wrong way. Initiate a failure by doing something that’s very silly, unthinkable, naughty, dangerous. Watching why that fails can take you on a completely different path. It’s exciting, actually. To me, solving problems is a bit like a drug. You’re on it, and you can’t get off.”

  • “Enjoy failure and learn from it. You can never learn from success.”

  • “Anyone can become an expert at anything in six months, whether it is hydrodynamics for boats or cyclonic systems for vacuum cleaners.”

  • “You are just as likely to solve a problem by being unconventional and determined as by being brilliant.”

  • “I learned that the moment you want to slow down is the moment you should accelerate.”

  • “Everyone gets knocked back, no one rises smoothly to the top without hindrance. The ones who succeed are those who say, right, let’s give it another go.”

  • “It is said that to be an overnight success takes years of effort. So it has proved with me.”

  • “We always want to create something new out of nothing, and without research, and without long hard hours of effort. But there is no such things as a quantum leap. There is only dogged persistence—and in the end you make it look like a quantum leap.”

  • “In business you will be wrong, by and large, 50 percent of the time. The trick is to recognise when you have gone wrong and correct the damage—not to worry, at the moment of making the decision, whether it is the right one.”

  • “In order to fix [something], you need a passionate anger about something that doesn’t work well.”

  • “Risk aversion is a hapless approach for a company that’s hoping to develop new technology. It’s tempting in a downturn. But long-term research and development, expensive and often filled with failure as it is, is the only route to discovering it. By taking the cautious path, companies risk a drought of ideas.”

And look what happened to him…..

So crack on doing things and making mistakes - just make sure you learn from them. I have always said that how people deal with mistakes and problems is what makes them different.

14 – Choose the people whose advice you trust and stick with them

There are lots of people with lots of opinions and lots of advice. And they are all valid in their own ways.

Problem is that they all say slightly different things. As I said none of them are wrong necessarily, just different.

This piece of advice will hopefully help.

Listen to everyone and anyone you want to, and then choose the people who resonate with you.

I found myself jumping all over the place, picking up bits of advice here and there and trying to apply them.

And achieving nothing. I had an ever expanding list of things to do, many of which conflicted with each other, making life even more difficult and confusing.

I have now narrowed down to a small number of people whose opinions have proved sound and relevant to me over the years.

Of course you have to spread the net wider to start with to find the people you want to focus in on.

And as I said somewhere else, if you pick up a piece of advice that is useful to you please use it. That was another mistake I made over and over.

These days I act on things I learn whenever I can.

To digress slightly, I have Post It pads in my car, and always have a notebook with me. Anything that I want to remember I write down, and later add to my iPhone in an App called Wunderlist.

Later I sort all these notes and add them to Evernote.

Wunderlist and Post It pads are the capture points - I find that once I have captured a thought it stops cluttering my already confuse dhead. Evernote is where I make sense of things. (I have invested in Evernore Premium, meangin I can access the same info on my PC and mobile devices).

Check out the book How to be a Productivity Ninja by Graham Allcott - I listened to this whilst driving around - see below - and have actioned many of the excellent ideas in that book.

15 – Listen to podcasts

I recommend these. My favourites shift over time, but these are my favourites at the moment

  • Peta Pixel

  • The Togcast

  • The Grid

  • This Week in Photo

  • The No Name Photo Show

  • Six Figure Photography

  • He Shoots He Draws

  • The Business of Photography

None photography podcasts that I enjoy

  • The Solopreneur Hour

  • Ask Pat 2.0

  • The Blogging Millionaire

  • Smart Passive Income

  • Online Marketing Made Easy

  • Superfast Businesss

  • BBC Friday Night Comedy

  • The Danny Baker Show

  • Flintoff, Savage and the Ping Pong Guy

  • Test Match Special

  • Tailenders (I am a massive cricket fan)

I do a lot of driving, and rather than this being dead time I use the time to learn lots and lots and lots.

Some of these I listen to all of, some I listen to part of, some the subject is of no interest. It just depends. But if a podcast is not of interest to me I just delete it straight away and move on.

And my favourites have shifted over time – I now am listening more to podcasts on entrepreneurship, business development – that kind of thing.

I have cut down the photography podcasts quite a lot - I think I overdid them a couple of years ago.

Don’t necessarily restrict yourself to podcasts about what you are interested in – you can learn things from any good photography podcast. The example here is The Business of Photography Podcast. This is mainly about wedding and portrait photography, not my bag at all. Some episodes I don’t listen to at all, but I give them a try first as there are often little gems within them that I have found incredibly useful.

If you are new to podcasts try the ones listed above, and anything else that you find, and give them a go. You will soon find the ones that are relevant to you.

I also listen to podcasts when I am cutting the grass. Peta Pixel podcast has the best audio quality, so I save them for the lawn mowing. Sure you are delighted to hear that Sharkey!

And going back to the point about getting your photos critiqued, check out the website and blind photo critiques on The Grid - it is great to hear Scott Kelby and guests giving their honest opinions.

Talk about efficiency!

16 – Start a blog

Write about your experiences. Writing is a great way of capturing your journey, recording the good and bad, and allowing you to share your experiences not on social media but on your own part of the internet.

Be it a blog on your own website, or on a WordPress blog – just start publishing stuff on a weekly basis and you will be amazed where this takes you. I have been producing a daily blog now for nearly 2 ½ years, and many doors have opened up as a result.

My web traffic has not incresed as much as I had hoped, but I am still working on that, hence this long post!

I get asked regularly to add links from old blog posts to other articles written by other people which are relevant to what my core business is – photography of the built environment in all its shapes and sizes.

If you are going to start a blog, choose a niche and stick with that – it will pay dividends in future years.

If you have any aspirations to make money from photography start a blog right now. Go on – stop reading this and do it.

How often should you write? To keep it simple try 2,000 words once a week. And stick with that. Don’t do it for a couple of months then give in - stick with it and see where it takes you. I am a writer on Improve Photography - this would not have happened if I had not started my blog.

17 – Buy a tripod - seriously

Yep. Really. Buy a tripod. But not any tripod.

When I started off taking my photography seriously I bought a tripod, a big heavy thing with a big heavy head.

And it was heavy.

And guess what?

I left it in my car. I had so much gear in a large backpack. So much gear that the tripod was just too much.

And as a result, I only used my tripod at night. When I had to.

I have mentioned elsewhere in this post about my gear – I travel light and with my hands free.

I use my tripod for every architectural image I take. The only exception to this is when I need to use a painter’s pole to get high, or my Platypod to take a photo from the floor, or where there is just no room for my tripod, normally squeezed into a corner of a room.

 Canon 6D on Platypod Ultra, Dorset

Canon 6D on Platypod Ultra, Dorset

For my day to day work I use a Manfrotto 190 Go tripod with X-Pro geared head. The tripod is lightweight, sturdy and easy to use. I have bigger tripods, but they are difficult to use when I am taking interior photographs, as I have to normally get back right into the corner of a room.

 Manfrotto tripod on location on an architectectural photography shoot, Dorset

Manfrotto tripod on location on an architectectural photography shoot, Dorset

 Manfrotto 190 Go tripod on location in Santorini

Manfrotto 190 Go tripod on location in Santorini

The geared head is essential for composing architectural images.

And I use exactly the same set up for landscape and travel photography. I use exactly the same gear, set up and camera settings. The only exception is when I am walking around a location grabbing shots, which is not that often.

I have found that my composition has improved significantly when I started using my tripod more. It slowed me down and made me think about each and every shot much more.

And I can stop and have a drink and a snack!!

The result of this was less images, and the ones that I took were much better than before I used the tripod.

This ties back to what I said earlier about composition and taking less photos. And thinking more about my photogrpahy.

And I also use a Manfrotto Pixi - here it is on location! This is a great mini-tripod which I take on foreign trips.


18 – Don’t worry about social media

I don’t really get social media. It has not brought me any photography work that I am aware of. And I find it quite boring.

But everyone says we all have to be on it, we all have to be seen on all the social media platforms.

Someone please tell me why?

This is what I have done to satisfy the perceived need with minimal effort.

I have automated as much of my social media output as I can. I have a daily photography blog, and I share this content automatically from Squarespace to some social media channels and do manual shares to other channels.

Instagram output is shared to other channels using the great iPhone App IFTT – If This Then That.

And I don’t respond to every comment, thumbs up, like. I just post some stuff and that is pretty much it.

I do worry about my website, the content on it, and how people find my website when putting search terms into Google. This is where I put 95% of my effort – social media platforms come and go, and we do not control them.

When I say website these days I mean websites - these are where my future is, rather than on social media.

I have two other websites which I am working on.

Paxos Travel Guide

Photos of Santorini

Don’t worry about social media too much, instead focus on your own part of the internet.

19 – Follow your own mind, dreams and ambitions

Listen to the advice of the people whose opinions you value but choose your own path. And stick with your chosen path. I have too many times deviated from a chosen course of action.

I have started doing something, and then heard or read something and found something new to do.

Now I am following a planned course of actions, based on everything I have learned to date. And I am sticking to that plan, just tweaking it when I find better ways of doing things.

I set some targets for my photography business for 2018, whichI will write about next month - since I set them things have changed, and one of the targets I am not doing at all – I have a different way of achieving what I want to but my own way.

Of course, things change over time – I was going to go all in with stock photography in January but am now going in a completely different direction with that particular thing.

But the general principle of what I am trying to do, which to be fair has taken 10 years to produce, is the plan that I am working to.

And on that point, you have to give yourself time to figure out where you want to go with your photography.

Don’t fight for a piece of the pie, make your own pie! A quote from Sharkey James which I love.

20 – Enjoy it

Enjoy your photography. Work hard at it but enjoy it.

Even if you want to be your full time paid gig it is still something to be enjoyed. I don’t take photographs anywhere near as often as I used to. I seem to spend more time writing and responding to emails than I do taking photos.

But guess what?

When I manage to get out somewhere new at sunrise it is an absolute joy. I work on my photography business all the time, but there is nothing like being out on location at sunrise.

Last month I witnessed this sunrise from the beach in Altea in Spain.

 Sunrise in Altea, Spain by Rick McEvoy Travel Photographer

Sunrise in Altea, Spain by Rick McEvoy Travel Photographer

And also saw this stunning church at sunrise on another morning.

 The church on the hill at sunrise, Altea, Spain

The church on the hill at sunrise, Altea, Spain

For both of these occasions there was no one else there – it was just me and the most natural thing of all, the breaking of a new day.

An event that will never happen again, and it was just me there at that time in that location.

No matter how much work I spend on my photography business that feeling never goes away – the sheer joy of watching and photographing something that will never happen again.

Enjoy your photography – it is a wonderful gift and a privilege to be a part of.

One more thing

21 - And finally that list

And these are those 10 bullet points I promised right at the beginning.

  1. Choose your destiny and go for it.

  2. Only get the gear you need.

  3. Don’t get any more gear.

  4. Have one bag you can carry comfortably.

  5. Get and use a tripod.

  6. Get out and shoot.

  7. Learn Lightroom.

  8. Practice. Fail.

  9. Look at your photos, learn, be critical, get critiques.

  10. Enjoy your photography.

And to finish

I hope you have enjoyed this post – if you have any comments or questions you can either comment on this blog post or email me at sales@rickmcevoyphotography.co.uk


I am a photographer based in Dorset. I photograph buildings and nice places.

That’s it. No weddings. No people. No animals.

I hae a daily photography blog, other websites and am a writer on Improve Photography.

Please get in touch with any thoughts, comments, to book me or to just say hi!

Rick McEvoy ABIPP, MCIOB – Rick McEvoy Photography – Photographer, photoblogger, writer

What is my number 1 tip for new photographers?

If I were to give you one photography tip it would be this.

Get out and take photos.

That's it.

Simple really!

Get out and take more photos. Such simple but brilliant advice well worth repeating.

Practise taking photos. This of course encompasses all aspects of image capture, but if we don’t do this one thing then what are we all doing?

I have to remind myself of this, indeed just writing this has reminded me that it has been a couple of weeks since I just went out and took some photos for myself.

If it is in your lunch break, or having a quick stop between appointments, or stopping somewhere nice on your way home just do it. I got this lovely sunset photo at Picket Post in the New Forest on the way home from work one day.

Landscape photography in Hampshire by Rick McEvoy.jpg

Will this one thing improve your photography?


Get out and take more photos and your photogrphy will improve. I can’t guarantee this of course but in my opinion this is the single best way that you and I can improve our photography.

Get off your iPad

I can guarantee that I will not get better reading gear reviews on my iPad. That or reading endless debates on forums about nit-picking details. Or spending endless hours tinkering with photos in Lightroom and Photoshop.

And neither will you.

What about 365 projects?

There are people who embark on 365 projects - take one photo a day for a year. I have never done this, and am not planning on doing anytime soon (getting a daily blog post out is enough) but there is a reason people embark on 365 projects. They are a real thing.

And guess what - if you complete a 365 project your photography will improve. And yes some days it will be taking anything just to keep things going, but not evey day will be like this.

Not for me but if this encourages you to go out and take more photos go for it.

That is pretty much the point - to get out and take more photos.


The same cnan be said for the worldwide photowalks - another thing I have never done but I am seriously thinking about doing this year. Check out the worldwide photo walk by Scott Kelby - well worth a look and raises money for a great cause.

What about me? Do I get out and take lots of photos?

As I write this I realise I spend more time writing that I do taking photos. Now I have to earn money of course, but I definitely need to gt out more.

But there is my travel photography

 Sunrise in Paxos by Rick McEvoy

Sunrise in Paxos by Rick McEvoy

I managed to get out a lot on my recent trip to Paxos, which was work sort of. I forced myslf to get out and explore the very small Greek Island of Paxos, and managed to get a few sunrises in. And I learnt things just from doing that.

There was a purpose though - taking photos and videos for my new website Paxostravelguide.com.

But getting out and about with my camera was great - I really enjoyed it even after all these years being immersed in photography.

I will shut up now.

Get out and take photos. And enjoy it!

Rick McEvoy ABIPP - Photographer, photoblogger, writer

Paxos Travel Guide - my brand new website

Paxos Travel Guide - JPG.jpg

Yep this is the website that I am working on for the rest of the month - Paxos Travel Guide. I am following a plan.

Here is the logo which I have to say I teally really like.

The website is very much under construction, and should be complete by the end of October.

I only have one image on my website at the moment, and this is it.

 Sunrise in Paxos by Rick McEvoy

Sunrise in Paxos by Rick McEvoy

This is a picture of the sunrise from the lovely resort of Loggos - one of the three main locations on this very small Greek Island.

Rick McEvoy - Paxos Travel Guide

10 reasons why I love my Canon 6D

Canon 6D 21052018.PNG

My Canon 6D is the best camera I have ever owned. Without question. I have it for a few years and still use it all the time. Sure, I use my iPhone more for day to day stuff but for serious photography I always reach for my beloved Canon 6D.

I bought my Canon 6D in 2013. A long time ago….

To back up my claim that my Canon 6D is the best camera I have ever owned here are the 10 things I love about my Canon 6D.

And you can read my guide to full frame photography on a budget on the Improve Photography website which features the Canon 6D.

1 – Image quality

 Sunrise in Paxos taken on my Canon 6D

Sunrise in Paxos taken on my Canon 6D

This is my starter for 10 with a camera. Image quality. It is all about this. If the image quality is poor, then everything else to me is pretty much pointless.

I love the look and feel of images created with the Canon 6D.

2 – Ease of use

It just works. I have had plenty of Canon cameras in the past and am used to the Canon set-up and menu system.

For me the camera is just a logical, well thought out piece of equipment that I use instinctively and intuitively. I can use my Canon 6D in complete darkness.

And I can easily use the camera even with my ageing old eyes!

3 – Reliability

I have taken over 22,000 photos with my Canon 6D. I took over 12,000 photos with my Canon 5D Mk 1.

That is 22,000 photos taken faultlessly in a variety of locations and environments.

Without a single murmur from my camera.

4 – GPS

GPS is an essential feature for me. I take lots of photos out on location. And I also take photos on my way to and from locations.

This was one of the reasons I bought the 6D and not the 5D Mk 2.

I need to know where photos were taken. Check out the screenshot of the Map Module in Lightroom.

Lightroom Blog 13092018.PNG

Fantastic eh!

5 – Wi-fi

I am not saying that the wi-fi in the Canon 6D is that good. It has been a bit hit and miss over the years but seems to be working fine these days.

And the wi-fi is nowhere near as good as the connectivity on an iPhone, although I am not sure why not. Proper connectivity as good as in a phone should be a given with higher end DSLRs surely?

Why is wi-fi so important to me?


How else am I going to take photos with my camera stuck on the end of a painter’s pole 5m above ground level?

More to the point, how do I compose an image when my camera is stuck on top of my large painters’ pole.

Check out these two photos, showing me and my painters pole in action using the Canon Connect app connected via wi-fi to my iPhone.

Architectural photography feature shot.jpg
 Architectural photography in Dorset by Rick McEvoy

Architectural photography in Dorset by Rick McEvoy

I could not have got either of these shots without the wi-fi feature.

The first image was taken in a live rail siding facility. These are fraught places to work at the best of times. I was tasked with photographing the gravel being unloaded from the train in the rail-siding.

But no-one told me that the excavator would be sat on top of the gravel. I was not allowed to climb up a pile of gravel, so had to use the painters pole.

This is photo of me in action – ok I am posing as it was taken by one of the guys using my iPhone, but you get the idea.

And for this picture of the rear of a house I had a problem, the garden has a rather steep slope meaning that I had to get my camera up to ground floor level using the painters’ pole – I actually hooked it in a tree for extra stability. Without the wi-fi I would not have got this shot.

I use the painters pole a lot in my architectural and industrial photography work, so the wi-fi capability is essential to me.

I will not buy a camera for my commercial work without wi-fi.

6 – The sensor on my Canon 6D

The Canon 6D has a full frame sensor. I have written on my blog previously about sensor size and DSLRs – you can read this post here. But the actual size of sensor is 36mm x 24mm.

The point of a full frame sensor is that is larger than an APS-C, conventional mirrorless and micro four thirds cameras.

DLSRs with full frame sensors are more expensive than cameras with smaller sensors. There are two reasons for this.

Firstly, larger sensors are more expensive than smaller sensors. That makes sense. The sensor is an expensive part of a DSLR. It stands to reason that a larger sensor costs more to manufacture.

And as the sensor costs more money it means that cameras manufacturers put these sensors in higher end cameras – cameras packed with more technology, higher specifications and higher quality build.

Enough about sensors.

I love the sensor on my Canon 6D. I love the sensor and the way it records the scene I am photographing. So much detail, so accurate and such a nice rendition.

When my Canon 5D died I had to get another camera rather quickly. My choices were the Canon 6D and the Canon 5D Mk 2. When I looked into these cameras the Canon 5D Mk2 was much more expensive, and a very similar sensor to the new Canon 6D.

Basically, you cannot tell the difference between an image taken on the Canon 6D compared to an image taken on the Canon 5D Mk 2. Sure, the 5D Mk 2 had many more features, but did not have wi-fi or GPS – these are both features which I have found invaluable, which you can find in my top 10 favourite things about my Canon 6D.

And the other features on the 5D Mk 2 I was not that bothered about anyway.

7 – Durability

I am rather clumsy. I have to admit that I do not look after my camper as well as I could. It’s not that I throw then around – not at all. I keep my camera in my Peak Design Everyday Backpack.

This bag is put in the boot of my car every day and taken out every evening. And it also goes with me everywhere.

Quite literally I take my 6D with me everywhere I go in England and all over the world.

It is a very well-travelled and well used camera.

I put my camera down on my mini tripods on the beach, immediately above lapping waves. I have stood in the sea to take photos, as well as rovers.

I have taken my Canon 6D on endless construction sites, harsh dry, dusty environments. Let’s just look at this photo again!

 Industrial photography in Dorset with a Canon 6D on a painters pole

Industrial photography in Dorset with a Canon 6D on a painters pole

And I have dropped my Canon 6D more than once. Only once did I need to get it repaired. This was the time I dropped it from height onto the polished slabbed floor of the National Trust office at Corfe Castle in Dorset – that was a big impact that needed a repair to be done at a Canon authorised repairers, Lehman’s. And it has been fine ever since.

Durability – check!

8 – Battery life

I only have two batteries. The batteries the 6D uses are LP-E6N batteries. I don’t use a grip. I take most of my photos with my camera firmly sat on a tripod.

I have a third battery which is not. Canon original battery, which I keep in my backpack as a backup. I have used this a couple of times only, so good is the battery life of the Canon 6D.

Even when shooting in Live View amusing wi-fi with the GPS on I have never been short on power with 2 + 1 batteries.

One complaint about the Canon 6D if I may – I have to physically turn of the wi-fi every time I turn the camera off or it drains that battery even when turned off.

I actually asked a Canon chap about this at the Photography Show one year but there was no fix for this – a strange and annoying anomaly.

The Canon 6D has excellent battery life, which can’t be said for some other recent camera offerings.

9 – The Canon 6D is still relevant in 2018

The technology is hardly cutting edge. You can get faster cameras with more mega pixels and higher ISO ranges. It has been 6 years since the Canon 6D was unleashed on the world.

But let’s not forget one thing – the Canon 6D was a great camera when it was released, and still is today, here in September 2018.

I hate the obsession with gear – notwithstanding the fact that I can’t wait to try out the new Canon EOS R that is!

But no, I am happy with my Canon 6D and will replace it when it falls over.

10 – It’s overall excellent design and ease of use

The Canon 6D is such a well-designed DSLR. It fits nicely in my hand, and I basically love using it.

It produces great images day in day out.

How long will I continue using my Canon 6D?

Until Canon give me something else or it falls over. I have no need to change, and no intention of spending any money at the moment.


As you can see I love my Canon 6D. It was hailed at the time of release as an excellent, high-quality full-frame DSLR.

And it still is.

I know it is not the best camera you can get, but that is not the point.

The Canon 6D works for me and has performed faultlessly ever since I bought it.

Rick McEvoy Photography – Photographer, photoblogger, writer

Should I use manual mode on my DSLR?

Canon 6D dial 06092018.PNG

This is a question that seems to do the rounds from time to time.

Should I use manual mode on my DLSR?

The short answer is – it depends.

It depends on

  • What your subject is
  • The lighting
  • The circumstances of the shoot
  • How much time you have
  • If this bothers you or not

What mode do I use to take photos on my DLSR?

For commercial shoots I use AV Mode on my Canon 6D. I actually use AV mode for most of my photography work, unless there is some really funky lighting or locational stuff to contend with.

I take most of my photos on Manfrotto tripods, and I also bracket images, which means that I am less concerned about the exposure than I possibly should be.

The reason I do this is so I can concentrate solely on the composition and where I focus the camera.

If I were to shoot in manual mode all I would be doing is setting the shutter speed for the aperture I would have chosen anyway.

The argument against using manual

I listen to some people in the photography world who are much too precious in my opinion about shooting in manual mode. If I use AV mode on my Canon 6D what is the difference? I set the aperture and the camera sets this shutter speed.

Why don’t I use manual mode that much?

If I were to use manual mode I would set the shutter speed and the aperture according to what the meter says. Or use this as a starting point for the correct exposure for the situation.

All I am doing is removing one thing that I have to do – it amounts to the same. And for architectural photography and interior photography this works just fine. The same can be said for landscape and travel photography.

And there is always exposure compensation

And sometimes when there are factors to be considered I just use the exposure compensation dial.

In terms of mastering your DSLR

In my opinion everyone should learn not only to shoot in manual mode, but also in all the other modes. And taking that a step further, I think that we should all spend more time learning properly how to use our DSLRs.

I have certainly not done this in the past, spending a significant amount of money on a piece of kit without properly learning how to use it, which is ridiculous if I think about it and am brutally honest.


Should I use manual mode on my DLSR?

You should use manual mode when you need to, but make sure you know how use manual mode properly before using it.

If you use AV, TV, Program or anything else don’t feel guilty - that is for people who clearly have nothing better to worry about.

Remember this one final thing.

No-one has ever asked me what mode I took a photo in.



No-one cares. What matters is the image that you create. Everything else is irrelevant.

And that is the point that I keep making over and over.

Rick McEvoy ABIPP – Photographer, photoblogger, writer

What does DSLR mean in photography?

I thought I would start my series of photography questions with a fundamental one – what does DSLR mean in photography?

DSLR translated into actual English is digital single lens reflex camera.

So, what does this mean?

I will explain this in this blog post, as well as digressing all over the place with related photography stuff!

Back in the day

Basically, in the days before digital photography cameras used film. Yes film. You used to buy a roll of film from a shop, with either 24 or 36 exposures, open the back of the camera, put the film in, pull a bit out and attach it to the spool then close the back and wind on. And getting the prints was even more long winded.

But we survived. Well we didn’t know any better!

A bit more about camera film – trust me this will all make sense

There were a number of different sizes of film, but the most common camera film was called 35mm film was 35mm.

SLR cameras, single lens reflex cameras, used 35mm film. A 35mm film negative (i.e. the actual bit of film on which the image was recorded) is 36mm x 24mm.

And this is the strangest of evolutions from film to digital SLRs

Why is a full frame camera sensor the size it is?

The size of a 35mm film negative is the same size as a sensor on a full frame camera.

If you ever wondered why a full frame sensor on a digital camera is the size it is now you know.

And the question I have always asked myself is this – why? Why would the sensor on a DSLR be the same as the film on an SLR?

Why not is the answer. Evolution of familiar sizes.

Anyway, back to the camera – why the mirror in an SLR?

A single lens reflex camera basically has a mirror which allows you to see through the lens. Press the shutter and the mirror flips up and the image is exposed on the film behind.

This is a picture of my Canon AL-1. This was a film SLR that was the first of its kind to have assisted focussing - when you got the manual focus correct a green light came on!!

Canon AL1 06092018.PNG

And with a DSLR exactly the same happens, except that rather than film there is a digital sensor.

That is SLR cameras in a nutshell.

Why does a camera need a mirror?

I believe that the fore-runner to SLR cameras were twin lens reflex cameras. Why two lenses? Simple. You looked through one, and the other took the picture.

The only problem with this was you were not looking at exactly what you were capturing. So, the SLR was a technical and optical improvement, with the clever use of mirrors and prisms allowing the user to see exactly what was going to be taken.

With one minor exception

Canon 6D 21052018.PNG

Taking my Canon 6D as an example, the actual view in the viewfinder is only 97%. I am not actually seeing all of the scene I am trying to photograph.


My Canon 5D gave me a 96% view, as did my Canon 60D.

The Canon 1DS gives 100%.

All is not quite as it seems, as is so often the case.

What other types of cameras are there apart from SLRs?

Back in the film day there were lots of other camera formats.

110 – lower standard cameras with a cartridge film. I used to have one of these. And compared to an iPhone they were quite rubbish.

APS cameras, where you could manually change the format of the image. These cameras came with a special film and the processed negatives and prints were provided in boxes – all rather interesting. I still have some from a long old time ago!

Twin lens reflex cameras

I never owned one of these, I am not that old.

There are also medium format, large format 10 x 8 format – lots of formats. Basically, 35mm was for SLRs until DSLRs.

And now what other formats are there?

Mirrorless cameras – more about these in a separate post

Medium format – very expensive

Micro four thirds – a format I know nothing about. Yes, I know - I will have to find out all about it and write about it here.

Were SLRs the best cameras in film days?

  • SLR cameras were viewed as being higher quality, professional/ semi-professional cameras.
  • SLR cameras typically had interchangeable lenses, which was not normally the case with other types of cameras.
  • SLR cameras had more control of image capture, with manual exposure possible setting the aperture, shutter speed and film speed.
  • SLR cameras bridged the gap from consumers to pros. There were more manufacturers of SLR cameras in film days, including
  • Canon
  • Nikon
  • Pentax
  • Olympus
  • Minolta
  • Fuji (my first ever SLR was a Fuji)

About manual mode

Now I have a thing about all those people who preach that to be a photographer you should shoot in manual mode. Nonsense. That is going to be the next question I ask.

What about mirrorless cameras then?

Mirrorless cameras don’t have a mirror. It really is that simple.

You don’t look through the viewfinder and the actual lens via a mirror – no - instead you look through an electronic viewfinder. And at some pint in the future DLSRs will be come obsolete, and I expect that we will all be calling our mirrorless cameras something different – cameras!

And there are other mirrorless format – micro four thirds?

I guess that after manual mode I need to jump straight into micro four thirds – to be completely honest all I know about this format is that the sensor is smaller than a crop sensor,

No let’s do this the other way – camera formats explained or something like that.

Hangovers from the film days in photography

Writing this brought back some thoughts I have had for some time that I will digress briefly not now.

I find it interesting that there are quite a few things which are hangovers from the days of film that we still have.

Sensor size

The same as 35mm film – why?


The new name for film speed (it was also called ASA back in the day) – why do we still have this now we are in the world of digital photography. Surely it is time to get rid of ISO? If we were to start again with ISO, Aperture and shutter speed surely there would be some other way of getting the exposure.


Yes, it seems bizarre with the things that we do with our phones that high end cameras still have actual mirrors that flip up. Think of the iPhone the capabilities built into what is a phone.

What about the future of DSLRs?

Basically, the future of DSLRs in my opinion is short. Canon yesterday announced its new mirrorless cameras, Nikon did the same last month. And apart from Canon and Nikon everyone else is producing “mirrorless” or “micro-four-thirds” cameras. Well virtually everyone.

Let’s think about phones for a minute

Do you know the aperture your phone uses when you take a photo? Off the top of my head I don’t know the aperture my iPhone 7 Plus uses.

Shouldn’t I know this?

I don’t really care to be honest – it does a pretty amazing job.

And ISO on my iPhone? No idea.

Sutter speed – nope – don’t know.

And the iPhone 7 Plus takes great photos.

Sure, this can be replicated on a DSLR using one of the Programme Modes.

But isn’t it about time we updated the way we take photos?

I think once DSLRs have died a death and mirrorless cameras rule the world there may be a reduction in the elements of the exposure triangle

The technology is so advanced these days that surely there is going to be more involvement of computing power in photography.


Well I started off explaining what SLR and DSLR stand for in photography. And I ended up writing about the death of SLRs and mirrorless cameras ruling the world. I see this happening. I see a future where the cameras we use are a different shape and form factor.

There are constraints of course – physics and optics – but technology is advancing so rapidly I see great changes.

The final word on SLRs/ DSLRs.

I will always have a soft spot for SLR and DSLR cameras. I started with a Fuji SLR - if only I could remember the exact model but to be fair it was about 37 years ago! I then moved into Canon SLRs, and Canon DSLRs.

What cameras do I use?

Whilst I love my Canon 6D I find myself using my iPhone more and more, especially for my travel photography work. Sure, when I am photographing a sunrise I will use my Canon 6D and tripod, and also for a commercial architectural shoot. But that is work. I rarely get my Canon DLSR out if I am not working, unless there is something that I think I can sell or use in a commercial way.

And that is where I am heading – I want to replace my DSLR with something smaller with the connectivity of my iPhone.

My iPhone has pretty much retired my Canon G11 and G13 – not that they were bad cameras – technology has overtaken what they can do and how they do it.

Summary 2

I started my photography life with SLRs and use DSLRs for my commercial work. But I expect within 2 years my Canon 6D will be sat in a cupboard somewhere.

Rick McEvoy ABIPP – Photographer, photoblogger, writer

I have chosen my new website - now what? Time for some photography questions

Paxostravelguide.com is mine. It does not yet exist on the internet. So no link to it. But this URL is now mine which is exciting.

Paxostravelguide 04092018.PNG

So what next? 

Well this is where I have run into a problem with writing about the production of this brand new website on my photography blog. 

I have signed up to Income School, and more specfically Project 24. Project 24 is a plan to replace your income with a passive income from niche websites within 24 months. 

There is a process within Project 24 which you are meant to follow step-by-step. 

This is information that is available only to people who have paid for the membership for a year. So I cannot describe in detail the production of my new website.  That is information that is available only to us Project 24 members.

So I will have to think of something else to write about on my photography blog. 

I know. 

I will answer some photography FAQs - that will be good. I am going to come up with 20 things that I do not know enough about, learn about them and write about them. 

Sounds like a good plan to me. And if you have any questions about anything photography related then let me know and I will add them to my list.

I will start with this one tomorrow. 

What does DSLR mean in photography? 

RIck McEvoy ABIPP - Photography questions answered